I mentioned my newfound obsession with Banksy on Saturday. Let me just say: it has grown. That same night I watched a documentary produced by and featuring Banksy called “Exit Through the Gift Shop.” Absolutely fabulous. Banksy is not only an artist; he’s a character. Having a naturally sarcastic way about him, his commentary adds wit and entertainment to the 86-minute-long look at some of the most famous images of political graffiti, protest graffiti, and street art.
Even more cool, viewers actually get to see three of the world’s most infamous graffiti artists—Banksy, Shephard Fairey, and Invader—at work. Given Banksy’s notoriously camera-shy reputation, the fact that he appears onscreen at all is remarkable.
The documentary begins when a Los Angeles based Frenchman, Thierry Guetta, gets the idea that he would like to film street artists in the process of creating their work. To gain access, he tells them he is making a documentary. In reality, he is only filming endless footage with no intention of making a cohesive movie. Unaware of this fact, many street artists from around the world agree to participate. As Thierry goes out with artists at night, he begins assisting them in creating their designs and even gains insider knowledge about the most sought-after locations for graffiti art.
After following Invader, Fairey, and other graffiti artists for a while, Thierry finally gains permission to tag along with Banksy, so long as he only films his hands working. In interview scenes, Banksy demands to be blacked out, and viewers never see his face. Banksy eventually convinces Thierry to use his footage to make a movie. After six months apart, Thierry returns to Banksy to show him the product of his work. At this point, Banksy realizes that Thierry is an amateur filmmaker at best, but still finds Thierry to be an interesting character—in an odd, yet appealing, way.
Banksy decides to take over the film process and uses Thierry’s footage along with additional material to make his own documentary about Thierry’s journey in this project. Since Thierry spent so much time involved in the process of street art, Banksy also suggests (rather offhandedly) that Thierry become a street artist himself. Not wanting to disappoint Banksy—whose suggestion Thierry takes very seriously—Thierry reinvents himself as street artist MBW, an acronym for “Mr. Brainwash.”
After being on the LA street art scene only a short while, Thierry throws everything into putting on a massive art show showcasing his work. However, as viewers will see, much of his ‘original’ work appears similar to other artists’. Despite the unoriginality, he gains fame and popularity, much to the other artists’ shock.
The film ends with my favorite line of the documentary, said by Banksy:
“I used to encourage everyone I knew to make art; I don’t do that so much anymore.”
Watch the trailer for the documentary here: